Books (Edited):

2017     (Forthcoming) Coolie, Coolie, Viens Pour Curry. Le Curry Est Tout Fini!, exhibition

            catalogue, ed. Matthew Ryan Smith (Brantford and Toronto: Glenhyrst Art Gallery of Brant and York University).

 

Book Chapters:

2018     “Indigenous Graffiti and Street Art as Postcolonial Resistance,” Aesthetics of Resistance: On the

            Multiple Forms of Graffiti, Palgrave Macmillan Series on Culture and Creativity (Basingstoke, UK: Palgrave Macmillan).

 

2017    “Tell-Sale Signs: Unsanctioned Graffiti Interventions in Post-Apartheid Johannesburg,” Public Art in

           South Africa: 1999-2014 (Bloomington, IN: University of Indiana Press).

 

Academic Articles:

2018    Article: “Strange Brew: Art, Protest, and the Anti-Fracking Movement," Afterimage: Journal of Media Arts and Criticism 

           46.1 (Winter).

 

2016    Book Review: Musées de la Civilisation, “Journey to the Heart of the First Peoples Collections,” Canadian Journal of

           Native Studies 35.2 (2015): 263-265.

 

2015    Feature Interview: “Climbing “Internet Mountains”: A Conversation with Clive Holden,” Afterimage: The Journal of

  Media Arts and Cultural Criticism (Fall, 2015).

 

2015    Article: “Relational Manoeuvres in Autobiographical Video Art,” Biography: An Interdisciplinary Quarterly 38.1 (2015).

 

2015    Feature Interview: “Of Clouds and Cocoons: A Conversation with Xiaojing Yan,” Yishu: Journal of Contemporary

                    Chinese Art 14.4 (July/August, 2015).

 

2015    Article: “Performative Appropriation of Video Art on YouTube, Vimeo, and Dailymotion,” Journal of Curatorial

                    Studies 4.1 (February, 2015).

 

2014    Book Review: Todd Schultz, “Torment Saint: The Life of Elliott Smith,” Intersections: Canadian Journal of Music

                     34.1-2 (2014): 221-224.

 

2014    Book review: "American Ethnographic Film and Personal Documentary: The Cambridge Turn," Canadian Journal of

           Film Studies, 23.2 (2014).

 

2014    Article: “Family Photography and the Documentation of Trauma in Contemporary Art,” Studies in Visual Arts and

           Communication 1.1 (June, 2014).

 

2014    Feature interview: “Blackbirds and Growing Pains: A Conversation with Rutherford Chang,” Yishu: Journal of

           Contemporary Chinese Art (Fall, 2014).

 

2014    Exhibition review: “Bill Burns: Dogs and Boats and Airplanes Choir,” The Senses and Society, 9.1 (2014): 113-117.

 

2014    Book Review: Ruth B. Phillips, "Museum Pieces: Toward the Indigenization of Canadian Museums,” TOPIA: Canadian

           Journal of Cultural Studies, 34 (Fall, 2014).

 

2013    Review: “Clive Holden: Mediated Algorithms,” Afterimage: The Journal of Media Arts and Cultural Criticism Vol. 40,

           No. 6 (2013).

 

2013    Book Review: Gary Wyatt, "Seekers and Travelers: Contemporary Art of the Pacific Northwest Coast,” Canadian

           Journal of Native Studies, 33.3 (2013).

 

2013    Exhibition catalogue review: Karen Kramer, ed. "Shapeshifting: Transformations in Native American Art,” WRECK:

           Graduate Journal of Art History, Visual Art & Theory, 4 (2013).

 

2009    Article: “Reconsidering the ‘Obscene’: The Massa Marittima Mural,” Shift: Queen’s Journal of Visual and Material Culture, 2 (2009).

 

Encyclopaedia Entries:

2016    “Indian Group of Seven,” Routledge Encyclopaedia of Modernism, www.rem.routledge.com

 

2016    “Paul-Emile Borduas,” Routledge Encyclopaedia of Modernism, www.rem.routledge.com

 

Essays:

2018      "Clay Cultures and Muddy Waters: Contemporary Northeast Ceramics," feature article for First American Art Magazine

              (Fall, 2018).

 

2018      "Kinngait in Scale: Embassy of the Imagination and the Next Generation of Inuit Artists," feature article, Inuit Art

               Quarterly (Winter, 2018).

 

2017      "This Other Me: Uses of the Alter Ego in Contemporary Art," feature article, First American Art Magazine (Fall, 2017).

 

2016     “In Search of Hózhó: Notes on Performance and Performance Art," feature article, First American Art Magazine (Winter,

             2017).

 

2016     “Weaving Emotion: Andrew MacDonald’s “Affective Relations”," exhibition catalogue essay, “Affective Relations,” Norfolk

              Arts Centre, Norfolk, ON.

 

2016     “Scandalous Images, Divine Light: Photography and the Aesthetics of Scanography,” PREFIX Photo (Fall, 2016).

 

2016     “The Archive in Contemporary Indigenous Art,” feature article for First American Art Magazine (Summer, 2016).

 

2016    “Hard Science,” feature article for Magenta Magazine (Spring, 2016).

 

2016    “It's Hip to be Square: The Pixel Revolution in Contemporary Art,” feature article for Blackflash Magazine (Winter).

 

2016    “March of the Landwriters: Indigenous Public Art Interventions,” feature article for First American Art Magazine

            (Winter, 2016).

 

2015    “Asleep and Awake: Indigenous Video Art and the Politics of Presence,” feature article for First American Art

            Magazine (Summer, 2015).

 

2015    “Notes on Curating Autobiographical Art,” feature article for ESSE arts + opinions 84, Exhibitions (2015).

 

2015    “Awol Erizku: The Only Way is Up,” feature article for Blackflash Magazine (Spring, 2015).

 

2015    “Storming Canada: Carl Ray, Indigenous Representation, and the Sacred Legends,” feature article for First American

            Art Magazine (Winter, 2015).

 

2015    “Memories of a Hungry Dog,” Exhibition catalogue essay for Connexion Artist-Run Centre (2014).

 

2014    “Hennessey Youngman and the New Art Criticism,” Feature article for ESSE arts + opinions 81 (2014).

 

2014    “Nicolas Galanin: Tsu Heidei Shugaxtutaan,” Feature article for First American Art Magazine, 4 (2014).

 

2014    “Trans-Canada Art Tour,” Feature article for Alternatives Journal (May/June, 2014).

 

2014    “Art and the Ones Missing: Art, Ceremony, and Accountability in China and Canada,” Feature essay for Briarpatch

            Magazine, Summer, 2014.

 

2014    “Ghost Dance: The Crisis of Categorization in Indigenous Art,” Feature essay for Blackflash Magazine (Winter, 2014).

 

2013    “The Birds and the Bees: Heather Sanders’s “Freaky Friday” Series,” Exhibition brochure essay, College Art

            Association ARTexchange (New York City, 2013).

 

2013    “The Mysterious Phenomenon of Shoe Tossing and Shoe Posting,” Feature article for The Silo (2 April, 2013).

 

2012    “Schizophrenic Aesthetics: Itamar Jobani’s ‘People of the 21st Century,’” Exhibition catalogue essay, Julie M. Gallery,

            Toronto and Tel Aviv, 2012.

 

2012    “Some Things Last a Long Time,” Exhibition brochure essay, McIntosh Gallery, London, 2012.

 

2012    “Karin Doleske: The Drama of Abstraction,” Exhibition essay, Studio Vogue Gallery, Toronto, 2012.

 

2012    “Subjective Screens: Zeesy Powers’ reality TV asks viewers to feel for others,”” Feature essay for Magenta Magazine

            (Vol. 3, No. 1, 2012).

 

2012    “Roadside Markers of Loss,” Feature article for The Silo (3 May 2012),

 

2012    “Daniel Johnston and the Dead Dog’s Eyeball,” Feature article for The Silo (5 March, 2012).

 

2010    “Greying the Grey,” Exhibition catalogue essay for Intersections, McIntosh Gallery, Toronto and London: Art Metropole

            and University of Western Ontario (Department of Visual Arts), 2010.

 

2009    “(Re)verse Ekphrasis: Works from the McIntosh Collection,” (Re)verse Ekphrasis: Works from the McIntosh Collection,

             Exhibition brochure essay (University College, University of Western Ontario, 2009).

 

2008    “Some Thoughts on the Cut in Collage: Pollock, Fontana, Matta-Clark, Ono,” Feature essay for artUS (no. 22, 2008).

 

2008    “Dale Chihuly: The Chandeliers and other Critical Insight into his Work,” Feature article for Contemporary Canadian

             Glass, Fall, 2008.

 

Articles:

 

 

2017    “Mark Stebbins: Pixel, Paxel, Puxel,” introduction for exhibition brochure, Galerie Simon Blais (March, 2017).

 

2017    “Annie Pootoogook: In Memorium,” feature article for First American Art Magazine (Winter, 2017).

 

2017    “The Curtain Falls: A Conversation with Jeff Bierk,” feature interview for Blackflash Magazine (Winter).

 

2017    “Exploring Native Graphic Design: Damian Jim,” feature interview for First American Art Magazine (Winter, 2017).

 

2016    "David Urban," exhibition review for Magenta Magazine (Summer/Fall, 2016).

 

2016    “Jason McLean: Son of a Salesman,” exhibition review for Border Crossings Magazine (Summer, 2016).

 

2016    “Ho-Chuck Visual Artist and Designer Jodie Webster,” feature interview for First American Art Magazine (Fall, 2016).

 

2016    “Diné poet and educator Orlando White,” feature interview for First American Art Magazine (Fall, 2016).

 

2016    “Cherokee Writer, Poet, and Educator Santee Frazier,” feature interview for First American Art Magazine (Summer, 2016).

 

2016    “Dzawada̱’enux̱w First Nation Artist and Educator Marianne Nicolson,” feature interview for First American Art Magazine

            (Summer, 2016).

 

2016    “Stone Sounds: A Conversation with Native Pueblo Sculptor Cliff Fragua,” feature interview for First American Art

            Magazine (Spring, 2016).

 

2016    ““I Write for my Family”: A Conversation with Tanya Lukin Linklater,” feature interview for First American Art Magazine

            (Spring, 2016).

 

2016    “Up Where We Belong: Native Musicians in Popular Culture,” Woodland Cultural Centre, Brantford, ON, exhibition review

            for First American Art Magazine (Winter, 2016).

 

2015    “Reading the Talk,” Museum London, London, ON, exhibition review for First American Art Magazine (Fall, 2015).

 

2015    “7: Professional Native Indian Artists Inc.,” McMichael Canadian Art Collection, Kleinburg, ON, Exhibition Review for First

            American Art Magazine (Summer, 2015).

 

2015    “In-Between Worlds: A Conversation with Meryl McMaster,” Magenta Magazine (Summer/Fall, 2015).

 

2015    “Focusing on First Nations Art,” Alternatives Journal (Summer, 2015).

 

2015    “Tlinglit-Unangax Interdisciplinary Artist Nicholas Galanin,” Feature interview for First American Art Magazine (Spring).

 

2015    “Yukon Artist in Action,” Feature interview for Alternatives Journal (September, 2015).

 

2015    “Before and After the Horizon: Anishinaabe Artists of the Great Lakes,” Art Gallery of Ontario, Toronto, ON, exhibition

            review for Canadian Art Magazine (Winter, 2015).

 

2015    “On Dominion Street: A Conversation with Jaret Belliveau,” Exhibition catalogue interview for Beaverbrook Art Gallery,

            New Brunswick (ABC Art Books, 2014).

 

2014    “The Official Picture: The National Film Board of Canada’s Still Photography Division and the Image of Canada, 1941-

            1971," Book review for Prefix Photo Magazine (Summer, 2014).

 

2014    “Due South” Artist Jason McLean Interview,” Feature interview for Whitehot Magazine of Contemporary Art (October).

 

2014    “All in the Family: Adad Hannah’s Latest Project Examines a Painterly Past,” Feature interview for Magenta Magazine

            (Summer, 2014).

 

2014    “Casting the Negative: Iris Häussler, An Te Liu and Jennifer Rose Sciarrino,” Review for Magenta Magazine (Summer).

 

2014    “Kenojuak Ashevak: In Memoriam,” Art Gallery of Ontario, Toronto, ON exhibition review for First American Art Magazine

            (Spring, 2014).

 

2014    “Kim Ondaatje,” Robert McLaughlin Art Gallery, Oshawa, ON, exhibition review for Alternatives Journal (April, 2014).

 

2014    “Derek Sullivan,” Jessica Bradley Gallery, Toronto, ON, exhibition review for Canadian Art Magazine (Winter, 2014).

 

2014    “Lovesick Child,” A Space Gallery, Toronto, ON, exhibition review for First American Art Magazine (Winter, 2014).

 

2014    “Trade Marks,” Prefix ICA, Toronto, ON, exhibition review for Magenta Magazine (Vol. 5, No. 1).

 

2013    “Doug Ischar: Undertow,” VTAPE and Gallery 44 Centre for Photography, Toronto, ON, Review for Magenta Magazine”

            (Vol. 4, No. 2).

 

2012    “The Participating Witness: An Interview with Jaret Belliveau,” Feature interview for Visual Arts News (Fall, 2012).

 

2012    “Artinfo Canada’s Best of 2012,” Sky Goodden and Benjamin Bruneau co-authors, Artinfo Canada (21 December, 2012).

 

2012    “Aboriginal Artists Engage Urban Youth Culture in Urgent and Timely “Beat Nation,” Power Plant Contemporary Art

            Gallery, Toronto, ON, exhibition review for Artinfo Canada, 2012.

 

2012    “Reviewing the Sobey Art Award Finalists, a Zeitgeist Emerges,” MOCCA, Toronto, ON, exhibition review for Artinfo

            Canada, 2012.

 

2012    “Jason McLean Meets Raymond Pettibon, and it Works,” McIntosh Gallery, University of Western Ontario, London, ON,

            exhibition review for Artinfo Canada, 2012.

 

2012    “The ROM's “Observance and Memorial" Brings Tortuous History to Testimony,” Royal Ontario Museum, Toronto, ON,

            Artinfo Canada, 2012.         

 

2012    “Amy Shackleton: Elaine Fleck Gallery,” Elaine Fleck Gallery, Toronto, ON, exhibition review for Magenta Magazine, Vol. 3,

            No. 2 (2012).

 

2011    “Adel Abdessemed: The Future of Décor,” OCAD OnSite Gallery, Toronto, ON, exhibition review for C Magazine, Vol. 111

           (2011).

 

2010    Contributor: Helena Reckitt, et. al., Artist texts for Adaptation: Between Species, The Power Plant Contemporary Art

           Gallery, Toronto, 2010.

 

2010    “Autobiography and the Family Frame: Jaret Belliveau’s Dominion Street at Gallery TPW,” Gallery TPW, Toronto, ON,

            exhibition review for Fuse Magazine, Vol. 33, Iss. 3 (2010).

 

2009    “Songs of the Self: Slightly Unbalanced,” Museum London, London, ON, exhibition review for Fuse Magazine, 32.3.

 

Exhibition Brochures and Catalogues:

2018    (Forthcoming) "Andil Gosine: Our Oshawas," Robert McLaughlin Gallery (2018).

 

2016    “Jeff Bierk: CURTAIN”, Grimsby Public Art Gallery (19 November, 2016 - 7 January, 2017).

 

2016    "Pillow Talk," General Hardware Contemporary (30 January - 5 March).

 

2012    "Some Things Last A Long Time," McIntosh Art Gallery, University of Western Ontario (19 July - 7 August).

 

2009    "(Re)verse Ekphrasis: Works from the McIntosh Gallery," University College, University of Western Ontario (21 May - 15

             October).